Nathan's Private E-Journal October 6th, 2014 "I May Have Made a Mistake..."

 *Today's tale takes place during "The Vampyre Blogs - Coming Home" but does not appear in the novel. .  You may consider it an untold tale that happened shortly before the big showdown between Nathan and the Funus-Sorbere  (referred to as the Ghoul Slime in the story).  Yes, we intend to start giving these life forms real names in "The Vampyre Blogs - Family Ties" novel.  For the record, the life form that transformed Nathan is referred to as Sangui-Sapio.  This story also serves as a little prelude to one of the tales in our upcoming anthology "TVB - One Day at a Time".  So please sit back and enjoy.*

      As I sit here in my study, staring into a nice blaze in the fireplace, I think I may have made a huge mistake.  

     All that encouragement I gave Marisa last night with the writing... what was I thinking?  But it's probably too late now.  She seemed really fired up about the idea, especially with Lisa cheering her on.  Any sudden change in attitude on my part would only raise a bunch of questions and self-doubts, which is the last thing she needs right now.  I gave her the idea about taking up writing to help keep her mind busy while we wait to hear back on her dad's test results.  But now I can't help thinking that there may be unforeseen consequences.

     Not that I don't think she should try her hand at writing, I think she could probably become a very successful writer.  She has a very keen mind and I've looked over some of her papers when she and Lisa have done their homework at my place.  Her command of grammar and sentence structure would make any college professor weep for joy.  Believe me I would know, Otto used to give me no end of grief about my writing.  Mind you, I learned to write back in the 1850's and 60's and what was considered acceptable back then was quite another matter.  Furthermore, I went to war instead of college back then.  It wasn't until 194- that I actually stepped into my first classroom and that was at a university.  And that was only after Otto spent a number several years bringing my skills and knowledge up to an acceptable level, while Para-Earth hopping.
    Otto... I wish he were here; he'd know how to advise me and not just because he's at least a couple centuries older than me. Oh wait, that's precisely why he'd know what to say right now.  Sigh.  My mind is all over the place tonight.  Between coming back home, finding out Isabella has been around all this time apparently waiting for me, helping Richard with his drug addiction, and having to keep my secret from Penny and Marisa... it's a miracle I've still got my head on straight at all.
     I so want to see Isabella and talk to her, but as near as I can tell I shook her up pretty badly the night I attacked Richard.   I don't want to make the same mistake with the others, especially Marisa.  She seems to have a deep dislike for anything vampire-like, which is strange because John told me in confidence, they used to watch vampire films together all the time.  I wonder what changed?  Maybe Lisa can tell me, I'll check with her.
      "Not that any of this helps me with my main problem," I tell myself and get up.  Pacing around the room I find myself stopping to stare out the window. 

     Evening has fully settled in, perhaps a walk might help me work through my little dilemma.  Yes, that sounds like a nice idea.  I always think better when I'm out and about on my own.  And then maybe I'll come up with a good excuse to keep her away from the old locomotive on the edge of town...

TO BE CONTINUED...

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part VIII CONCLUSION – Epilogue

 

That’s what we had to splash across the posters outside the theater announcing the release of Lost Films of Roscoe Fatty Arbuckle.

And from what I’ve been told already, we’re sold out for the next three nights as well.

The SOLD-OUT part caused quite the uproar, but since I had a ‘in’ with the owner, I’ve been able to assure everyone that we’re adding as many more runs as the public demands. And each showing will involve more of the red-carpet treatment.

What exactly is the red-carpet treatment you ask? 

Well, it involves a number of celebrities and officials in attendance (which will vary depending upon the individuals’ availability, as well as other important folk who had not been able to attend the opening night festivities), along with the red carpet. I’ve also hired a number of actors and actresses from the local and neighboring theaters, as well as students from the high school drama departments, to show up in full costume and make-up as stars from the past to help add to the atmosphere. Those not walking the red carpet will be in the ‘crowd’ screaming, cheering, and asking for autographs. And in fairness, we’re rotating members of the “crowd” with the red-carpet walkers so everyone gets their chance to get the ‘star’ treatment.

Mind you, ‘the crowd’ will be mixed in with those in the actual crowd of news media, and onlookers who show up. We just want to make sure there would be enough folks on hand to make things seem more authentic. Not that we really needed our actors/actresses, quite a real crowd showed up and from what I’ve been told, they’ll be showing up again and again.

From what everyone has been telling me, the look-alike celebrities are a huge hit alongside the important guests, who had a ball mingling with Hollywood’s stars of yester-year. Who knows, maybe a few new stars may be being discovered, or at least given a chance to make their own names known? I can only hope.

Lisa, Marisa, Teddy and a few of their friends are certainly becoming better known. As I had promised Roscoe, I decided to showcase some of the talents I’d learned over the decades from him. Tonight, we recreated a scene from Roscoe’s “The Cook”, which involved perfect timing as I (as the Cook) tossed various items across the stage to Teddy the waiter as he was coming into the kitchen. This in turned into a dance number. We also recreated several other scenes from some of Roscoe's other movies we were showing tonight. And everybody was right on cue. 

This was mostly thanks to Lisa. Roscoe had shown up several time during rehearsal to help give her advice and instructions on how to help the others get their timing down just right. But even with his guidance, more than a few plates, cups, and other breakables (although we started out with plastic ones) met unfortunate ends during those rehearsals. 

And because I’m such a swell guy, I did permit people to film and record our routines. Why? Because having our antics shown all over the internet is going help build interest in this wonderful crew of talented young people. Who knows? Maybe it will lead to some radio, television, commercials, or streaming service projects for some of them down the road.

In the meantime, I already have a few Keystone Cop routines in mind for Teddy and the rest of this little band of actors. After all, I want to do some more silent film festivals in the near future. 

But what I’ve enjoyed most was seeing more of Roscoe, and knowing it was really him. For so long, one of my greatest regrets in having such a long life was knowing I’d have to say goodbye to so many wonderful people I came to know and love. Of course, new people keep entering my life, but it’s still very having to eventually have to let go of the ones you’ve already known and loved for so long.

I’ve not had the courage to ask Roscoe anything about the afterlife. But just knowing one does exist is reassuring. And even more importantly, knowing that 'some' of my older friends from long ago will show up every now and then to spend some more time with me, makes what I assume (based on my already extremely long life) my many years ahead a little less scary.

- THE END

We hoped you enjoyed this not-so-short tale about Nathan and company. We've wanted to do a story like this that demonstrates how in spite of his already long existence and research, there's still so much our hero does not know about his condition. And we're looking forward to exploring and finding out more of what those possibilities are, with all of you.

In the meantime, more re-runs of older past stories will appear here for a while. Allan has a new novel (which does not involve Nathan or the Para-Earths) to release in the next two months. 

Also, we are hoping to release a new anthology titled "The Vampyre Blogs - Two For the Road" coming later this year. At the moment we're aiming for a late September/early October release to coincide with the Halloween season.  After all, what better time of year to release stories about a vampyre and his friends? 

As always we thank you for coming and reading our tales, and supporting our efforts. Please remember to share this site and tell others about the Vampyre Blogs and the Para-Earth book series. We have much more coming and are looking forward to entertaining you with many more stories and adventures.

Take care and happy reading everyone!

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part VII

 

In that same moment, Roscoe turns to me and says, “I’d be honored if you would. But with one condition!” He then points to the cannisters still in my hands, “Start with that one!”

I look up at him and ask, “Why this one?”

“Hey, I went to a lot of trouble to finish that one,” he explains, “And your time to shine has been way overdue, pal.”

“No one’s going to see me,” I point out, “That’s why we had to scrap the whole idea of making more movies together, remember?”

“Yeah, but today’s technology can capture your image,” he grins back, “And I know you’ve already made a couple of appearances in those Hallmark and Lifetime adaptations of your work. Don’t be afraid to do some more. Show ‘em what me, Al, Mae, the Marx Brothers and the rest I taught you! And have a blast, while you’re doing it! Remember. I’ll be in the audience cheering you on with Lisa, Otto and the rest of that big old extended family you got.”

Looking at that big, huge smile on his face, along with Lisa beaming at me, there’s no way I can say no. So, I don’t.

“All right,” I concede. “But I have to know one thing. HOW, can you be here? You don’t have any unfinished business, do you? I mean if you do, I’ll do everything…” but he’s already shaking his head.

“It’s nothing like that,” he chuckles, “You just don’t know your own strength.”

Once again, I find myself shaking my head. “How do you mean?”

“Do you remember how you had to put the bite on me that one time to save my life when those thugs tried to burn down the theater with everyone in it?”

“All too well,” I sigh. That had been the night he had learned the truth about me and my condition. He’d been seriously hurt and wasn’t going to last long enough for the ambulance to arrive and take him to the hospital, so I’d done to him what I had once done to Richard and a number of others. I’d bitten him and put a bit of myself into him in the process, using my powers and will to keep him alive. This also meant a special mental and emotional bond had been formed between us, one that always allowed me to know if that person was in danger or needed me in some other way. It was a bond that would only be severed when that person passed on. Or so I had always thought.

I looked up at Roscoe who was smiling fondly at me, “News flash! That bond of friendship, doesn’t always end at the grave.”

After several seconds of stunned silence, I breathed the words, “Thank God!” and meant every word.

I could hear Brian starting to make his way back towards us, so I said quickly. “But it only works with the people…”

“You gave a bit of yourself to,” my old friend finishes for me. “The rest are exactly what you thought. Made up from your memories of them. But me and a few others will always be here for you.”

“Thank you,” I reply and give him a huge hug, just before Brian rejoins us.

“I cannot believe you’ve had all these films restored and transferred, without telling me!” my godson exclaims, as he comes over to me. “People have been scouring the world for a complete copy or at least pieces of some of these films, for decades. You have to share these with the world! Do you realize the number of archivists, celebrities, and other important figures who’d come pounding at your door get just a glimpse of some of these?”

To be honest, I’d never really thought about that before. Such an event would certainly bring a lot of people to Pointer. They would need places to stay, eat, and shop, during their visit. And with Pointer’s parks, forests and historic sites, there’d plenty of other things for our visitors to explore.

Such an event could really revitalize the town. I mean I’ve done what I could to improve the community with donations and other events, but this could really put us back on the map.

But simply showing the films, didn’t feel like enough to me. I wanted to give people something more, something special and really memorable…

Just then, out of the corner of my eye, I catch a glimpse of Roscoe and Lisa. He’s teaching her a few of his dance moves from one of his more famous films, “The Cook”. And that gives me an idea…

BONUS MATERIAL: Clip from Roscoe Fatty Arbuckle's Silent Film "The Cook"

Fatty Arbuckle, Public domain, via Wikimedia Commons

TO BE CONCLUDED...

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part VI

 

For a second, my legs feel like they’re about to give out, but I manage to keep them from buckling with a supreme effort.

One of my dearest friends, who had died seven decades earlier, is actually standing right in front of me. But is it the first time? Was it him on any of those other occasions? And if it was, how?

But before I can begin to find my tongue, Brian comes bounding over to us saying, “Is that true, Nathan? You were at that party?”

“Oh yeah,” I mutter, “And before you ask, no it was nothing like what Virginia’s friend Bambina Maude Delmont told people, or what Randolph Hearst put in his papers.”

As those words leave my lips, a part of me wishes once again that had taken witness stand and testified back in 1922.

“Well, I’m glad you didn’t,” Roscoe says stepping in front of Brian to face me. “Remember, the trial took place during the daytime, and those lawyers would’ve kept you on the stand for hours. No amount of blood would’ve kept you going for that long. Plus, all those reporters would’ve gotten shots of you for the front page, only to find you didn’t appear in them. No, sir! There was no way I was going to let you risk everything for me. But, knowing if it came down to it you would have, always meant a lot to me.”

I smile. His words mean a lot to me. Especially, since I now know it’s really him and not a construct from my mind. But again, I have to wonder, has this always been the case? And what about the others I’ve encountered over time? Were they ghosts as well? Have I been completely wrong about myself and my abilities all this time?

“No,” Roscoe assures me, putting a hand that feels very warm and real on my shoulder. “Only a few of us are actual ghosts. The rest are being brought back from your memories.”

Throughout this silent exchange, Brian has been wrapped up in a discussion with his daughter about my revelation of having been at the party with Virginia and Roscoe. The two of them have already covered the case and why I hadn’t testified, with Lisa supplying some of the details she had overheard Roscoe pointing out to me.

As I listen, I hear Brian piecing together the rest of the story from there. Which is not surprising to me, since he’s always been a guy who knows his onions.

Great, all this time going down memory lane has me thinking in slang terms from the 1920’s. Next thing you know I’ll start going on about Lisa’s legs, calling them gams.

“She got nice ones?” Roscoe asks, having apparently heard my thoughts.

“Oh yeah,” I mouth back, keeping an eye on Brian to make sure he doesn’t see me. “And plenty of moxie.”

“Kind of like another young lady, you were rather fond of,” Roscoe observes, then adds, “Lisa’s built a lot like her too. Especially in the upper department.”

Mentally, I shake my head, as I try not to blush.

Mae West had been the first woman I fell in love with after my wife Madeleine had passed away in the 1890’s. I first met Baby Mae, that was her stage name back in 1907, when she was working vaudeville in Ohio. The name was appropriate at the time since she was only 14 at the time, and very petite in height. In fact, even as an adult, Mae was only 5 feet tall.

We met again in 1911 in New York and by then she was using Mae West as her moniker. Our acquaintance started out as a passing one, but after an incident in a back alley, it became something much deeper and passionate. God what an amazing woman.

No sooner does that thought pass through my mind, when I find myself glancing over at Lisa.

“I think I know where your mind has gone,” Roscoe teases, “Now if only you’d allow the rest of you to go join it.”

I quietly shush him, but I know he’s right. Lisa does have a lot of the same qualities Mae had. But she’s also very much her own person. Which makes her even more special, in my eyes and my heart. However, she’s my godchild, one of a great many. One who also has a mind of her own, I remind myself thinking back to our walk over here from the theater.

But now is not the time. Roscoe’s revelation of his existence still has me taking a few mental steps backwards. I swear every time I think I’ve figured out all there is to know about my condition, the more I find out there’s still so much more to learn. First Isabella, now this.

Just then Lisa rejoins us. Looking up I see no sign of her father. “Where’s…?” I begin, but she cuts in with, “He’s going through the filing cabinets to see what else you have stashed away down here.”

“Well, all he’s going to find in there are copies of the films I’ve already had restored and transferred for use on modern projection equipment,” I tell her, then ask. “I take it, you know who’s with us down here.”

“Duh,” she replies with a roll of her eyes, “I am psychic remember? Plus, I have met and spoken with ghosts before.”

I nod my head. She’s right of course. I’d been on the scene for several of those spectral encounters, two of which had nearly ended with Lisa nearly ended with her becoming part of the next world. Just the thought of that happening to her, still makes me shudder.

Meanwhile, Lisa is introducing herself to Roscoe who gives her a dignified bow, which he promptly converts into a bashful comedy routine from one of his silent movies.

I can’t help but smile. It’s obvious the two of them are hitting it off famously. Which brings me back to an idea I'd had about what to run on the big screen for my theater’s opening night.

TO BE CONTINUED...

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part V

             But I’m getting ahead of myself.

Anyway, I make a face at my old friend, while Lisa and Brian finally find their words and begin peppering me with all kinds of questions. Mostly they want to know why I never said anything about a movie career.

Sighing, I head over to them and explain, “My ‘movie career’ as you both call it, was rather short-lived. What you have in your hands was supposed to be my screen test.”

“Screen test?” Lisa repeats and holds up the cannisters in her hands. “This is a two-reeler. That’s not a screen test, that would be full-length comedy feature back in 1912.”

“Two-reels?” I barely manage to get the words out, as my mind races across the decades. Had we really shot that much footage? Obviously, we must have since Lisa’s holding the proof in her hands. But how is that possible?

As the memories of that day unfold in my head, I realize we must have filmed a lot more than I thought we had. Which makes sense, really. Until that day, I’d never stepped on a movie set. So I had no idea what to expect. Admittedly, all the sets, props, and costumes, were much like what I was used to seeing at the theaters, but this was a very different kind of ‘stage’. It was more 3-dimensional and had no place for an audience to sit. Instead, there were cameras and lighting that was different than what I was used to in the theaters I’d worked. In short, the whole thing was oddly familiar and very different at the same time.

After I finally caught my breath, and got my bearings, we got down to business. I spent the rest of the day paying attention to everything Roscoe and Al were telling me to do and how to play the scenes. Looking back, I realize now that a lot of the times I thought we were rehearsing, the camera was actually rolling. Plus, we were all having so much fun together it’s no wonder I didn’t realize how much of our antics were being caught on film. as well.

The chemistry between me, Roscoe and Al, had been so good to the few who had been on hand assisting with the filming, were making plans for more films involving the three of us before we had even finished. Upon hearing this, Roscoe, Al and I spent the rest of the night talking and celebrating, as we all looked forward to working together for years to come.

Alas, none of it came to pass.

You see, a few days later, Roscoe called me in to join him, Minta (his wife), their dog Luke, Al St. John and a few others, to show us some of the footage that had been shot. It had just come back from being processed and we were all eager to see how my performance turned out. It turned out to be a rather empty one.

The scene playing before us on the screen that day was one where Luke had grabbed me by the seat of my pants, making me spin wildly trying to dislodge him. But there was no sign of me on the screen. All we saw was Luke, his four paws completely off the ground, spinning round and round in mid-air.

It was then that I learned that ‘silver’ was used in the celluloid film, as well as a mirror inside the camera, which meant neither could ever capture my image.

We didn’t bother looking at the rest of the film. Or at least I didn’t. I was too heartbroken at the time, and so were Roscoe, Minta and Al. Heck, even Luke padded over to me and hopped up into my lap trying to comfort me. He was such a good dog.

After the initial shock had worn off, I spent a few days with my friends before I decided to head back to vaudeville. There, despite Roscoe and Minta’s urgings, I simply went back to being another stage-hand behind the scenes. Eventually, a quartet of brothers (Groucho, Chico, Harpo and Zeppo) took me under their collective wings. In time they taught me how to play a number of musical instruments and further developed my comedic skills and timing. Before I knew what was happening, they had me back on the stage to assist in their escapades. On occasion, I even stood in for each of them at one time or another, when that person couldn’t make the performance. Still, the sting of my failed attempt at becoming a film star never faded.

And even whenever I saw Roscoe, we never talked about the footage, so I simply assumed he’d destroyed it. But of course, he hadn’t.

I only found out it still existed shortly after Roscoe had passed away quietly in his sleep on June 29^th, 1933. After the funeral, Addie (his third wife) had asked to see me and that was when I learned the footage still existed. Why Roscoe had kept the footage all that time, even she didn’t know. However, according to his will, it was to be turned over to me upon his passing along with a few other bits of his estate.

Naturally I took charge of the cannisters and did everything I could to keep them safe. Why? Because the fact that Roscoe hadn’t destroyed them meant something. For whatever reason, he’d held onto that footage, so I felt obligated to preserve them.

In time, when film preservation efforts had reached a good point, I had them fully restored and copied, along with the other celluloid treasures here in my vault. Yet even then I hadn’t been able to bring myself to watch it. The ghosts of what ‘might have been’ has always been just a little too…

“So?” Lisa purrs in my ear just then, making me jump slightly. I was so wrapped up going down memory lane, I hadn’t noticed or even sensed her moving closer to me. “Are you going to tell us what’s on these reels?”

“Roscoe dealing with a ghost, obviously,” I reply casually, while trying to quiet my heart which is suddenly beating in double-time for some reason.

“And who played the ghost?” she persists sweetly.

“I did,” I answer with a bit of false bravado, “And for the record I was quite convincing.” Then add silently to myself, ‘A little too convincing actually.’ Again, I look down at the cannisters once more and frown. It was only supposed to be a screen test. And even if we shot that much footage, why would Roscoe not only save the footage, but give it a title?

“Because I never intended it to be just a screen test, you dope,” Roscoe’s voice murmurs in my other ear, making me jump once more.

I quickly glance to my right to see him resting his chin on my shoulder, while Lisa continues to do the same on my other shoulder. I briefly wonder with of them is the angel and which is the devil. That’s what usually happens in a case like this, right?

Mentally, I ask him, “What do you mean?”

“It was always supposed to be your first film, Nate. Your big break!” he smiles back.

Lisa suddenly inhales, which takes me by surprise. If I didn’t know any better, I’d swear she had just heard what Roscoe said. But that’s impossible. This version of him has been formed from my memories. There’s no way she could have heard him.

Shaking my head, I decide to focus my attention on the cannisters once more.

Lisa quietly puts a hand on my arm and gives it a gentle squeeze. “Nathan?” she says, with a hint of worry in her tone.

But I barely notice, as a final piece of the puzzle drops into place for me. And without thinking I breathe, “Roscoe… you finished it?”

Stepping in front of me my old friend nods and gives me a huge smile. “Of course! The way you by me throughout all three trials, meant so much to me. But the fact that you were even willing to testify in my third trial in person and tell everyone that you were the one who found Virginia and then I stumbled in…”

“WAIT!” Lisa suddenly gasps and stares at me. “YOU were there at the party the night Virginia Rappe collapsed?”

Instantly, I do a double-take. She heard him? But how? I know she’s psychic and can see and even hear ghosts and…

Suddenly, I turn to back to my old friend whose smile has become even more broad than before as he says, “Boo!”

TO BE CONTINUED...

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part IV

 

Brian’s eyes find mine, and he smiles. “That’s why you were rushing into some of those burning buildings. You were trying to rescue these.”

“To be honest,” I explain, “I didn’t rush into burning buildings for all of them. A number of those I pulled out of garbage bins, or piles of films that were going to be set on fire. In those cases, I replaced the spools I took with extra copies of other movies, or even blank film so no one would notice they were missing.”

“Wait?” Lisa cries and gives me a puzzled look. “People were burning Roscoe’s films? Was it because of the trial?”

I nod.

“But he was declared innocent!” she protests, while a large man with a huge warm smile on his face quietly appears behind her.

I smile inwardly. It’s always good to see my old buddy, Roscoe.

“You are correct, my child,” Brian beams. “However, the verdict of innocence, came at the end of his third trial.” As he speaks, it’s clear that neither he nor Lisa seem to have taken notice of the famous silent film star, who is currently looking over their shoulders to see which films of his they were holding.

As you can already guess, the fact that they can’t see him comes as no surprise to me. After all, I happen to know Roscoe isn’t a ghost. He’s a mental ‘construct’, so to speak, created by my mind and based on our many years of friendship.

For those not aware, I literally remember everything I’ve ever experienced. Heck, I even have memories of being inside my own mother’s womb, if you can believe it.

And among that mountain of memories is every single person I’ve ever met. Some I met only on rare occasions, or even just once in passing. But I do remember them.

Others, like Roscoe (and a host of others I was really close to), I can remember in complete detail. I can recall their personalities, manner of speaking, all their habits, the works. It’s one of the many gifts my Sangui-Sapio companion has granted me.

And every so often, when I feel really lost or am simply missing one of them, that person will appear to me, just like now.

From my point of view, it’s like they’re in the room with me and we interact as if time had never separated us. I guess the best way to explain it is like having a film projector, in your head. And the film is being shown on a screen inside my eyes, complete with sound, so visually and audibly they appear to be in the same room I’m in. And as is the case right now, my old friends can stand or wander around and even react to any living people who also happen to be in the room. This means I also I get to privately enjoy my old friend’s reactions and antics. However, this occasionally winds up with me reacting and saying or doing things in front of my actual guests which leave them more than a little puzzled at times.

As I stated earlier, my existence tends to be a very strange one sometimes.

Anyhow, I presume my ongoing dilemma of what to run on opening night, and Lisa’s discovery of Roscoe’s ‘lost’ films, is what has generated this impromptu visitation from my old friend. Not that I mind. He may have been known mainly for his comic genius, but like Otto, he was always full of keen insights and good advice.

Meanwhile, Brian continues, “You see, my dear, the first two trials ended with hung juries.”

Immediately, Lisa smacks her forehead while saying, “Which means the accusation was hanging over his head for months.”

“And the newspapers, especially those owned by Randolph Hearst, were dragging his name through the mud the whole time,” Brian adds solemnly.

I watch Roscoe pull out a handkerchief and wipe his brow, muttering, “Pal, you don’t know the half of it.”

Quietly, I sympathize with my old friend. Not a lot of people knew what he went through, but I did. I was there for him the whole time, along with Buster, Roscoe’s nephew Al (St. John), plus a number of others. We all stood by him throughout all three trials. From the beginning to the end, when he was finally exonerated. Yet, in spite of that ruling, which was accompanied by a formal apology prepared by the jury and read out loud by the judge, it had already been too late. Roscoe’s reputation had been irreversibly trashed in the eyes of the public and Hollywood.

No sooner does that thought pass through my mind, Lisa cries out, “Hey, here’s one for the Halloween season. Fatty and the Ghost.”

Immediately, her father leans over to peek and exclaims, “I’ve never heard of that one. Maybe, it’s one of the films that never got to the screen because of the trial. That happened to several others he did. Although, as I recall, some of those did get shown overseas.”

Meanwhile, Lisa is shaking her head. “I don’t think so, dad. Look at the date. This was shot back in 1912, almost 10 years before the scandal.”

Roscoe, who has been looking over their shoulders the whole time, suddenly shoots a devilish smile me and says, “Are you going to tell them, or should I?”

I suppress a smile and explain to the other two, “Portions of that film were only ever shown to a select group of individuals. Namely, those who were involved in the making of it.”

Brian raises on eyebrow as he gives me a curious look. “Your tone of voice tells me you were one of those people who got to see it. May one ask how you were involved in the film?”

Pretending to examine my fingernails, I reply nonchalantly, “Oh, I didn’t do much, just co-starred in it.”

The looks of shock, surprise, and disbelief that flashed across both father and daughter’s faces, accompanied by a healthy dose of stammering and head shaking, prompted Roscoe to stand next to me saying, “Boy, what I wouldn’t give to have caught that all on film. These two would’ve been great in one my movies.”

“I taught them everything they know,” I murmur quietly back at him.

“Yeah, right,” he laughs. “You forget, I’ve seen how many times Lisa has run rings around you. She’s made a monkey out of you so many times, you could audition for the next ‘Planet of the Apes’ movie.”

Now, Roscoe left this world back in 1933. So, the fact he is now making references to movies that were made decades after he passed, were one of those little details that helped me figure out long ago that he (and a number of my other acquaintances from across the years) was a construct made up from my memories.

Or at least that’s what I’ve always told myself. Tonight, however, I was about to find out that there are still more things in heaven and earth than I ever dreamed possible.

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part III

 

Leading father and daughter back to the lobby, I turn off all the lights to the theater along the way. Once we’re outside and I’m certain the place is locked up, we start heading to The Crypt. It’s raining lightly, but we’re all okay with that. After all, the building where my club is secreted is only a couple of blocks away.

Lisa sidles up alongside me, occasionally pressing up against me as we go. I shoot a look of appeal to her father, who simply keeps his gaze fixed straight ahead, apparently oblivious to his daughter’s advances. Although, I’m certain I detect a slight pull at one corner of his mouth that falls just short of being an actual smirk.

This of course, leaves me to wrestle with my warring feelings on my own once more.

In that same moment, as if conspiring against me, the rain begins to come down a bit harder. Automatically, I open one side of my billowy trench coat and extend it around Lisa’s head and shoulders to protect her, since I don’t have an umbrella handy. This of course prompts the young lady to wrap her arms around my waist and rest her head against my chest, so I can pull the jacket closed around the two of us.

She’s clearly pleased with this turn of events.

And for the millionth time, I silently admit to myself, it does feel good. No, not just good, but right. However, the times I’ve held Marisa, have also felt just as right.

But before I can start wondering about how holding the two of them at the same time might feel, I find we’ve already turned down the alley that leads to my club. Carefully, we make our way down the stairs and inside the warmth and quiet of The Crypt.

It’s closed tonight so we’re the only ones here. I don’t operate it during the weekdays, since a lot of my clientele are teenagers who don’t need another excuse to avoid their schoolwork.

As Brian locks the door behind us, I carefully extricate myself from Lisa’s embrace and lead the way to the area where the backrooms await. Once we’re there, I show them the hidden stairwell that leads down to the sub-basement. This, like the club itself, is a leftover from the days of prohibition. Once upon a time, all kinds of booze and distilleries where hidden down here, out of the sight of the law (or at least, the ones who were not here to get a drink or two themselves). and once housed all the illegal booze.

Nowadays, most of the floor is an entertainment/game room, with a small kitchen, a bathroom, and another room roughly 10’ by 20’. Unlike the rest of this underground area, the floor in that room is comprised purely of dirt, not wood or concrete. This is a leftover from before I took up residence in the family mansion. Prior to reclaiming my birthright, I spent most of my daylight hours down here resting deep in the ground, whenever I came to town.

Next to the door that leads into this room, stands a huge bookcase. It stretches from the ceiling to the floor and extends a good ten feet in length along the wall. I proceed to remove several books and stand back. Immediately, a tall section of the bookcase swings open revealing an imposing metal door behind it.

“Well, well, well,” Brian exclaims, his eyes wide with surprise, “You’ve moved it again. I swear, every time I think you’ve shown me everything, you produce yet another little wonder.”

“Impressed?” I ask casually.

“Very,” he replies giving me a slight bow. Then he starts studying the metal barrier. “Let me guess, another leftover from Prohibition?”

“From before that,” I explain. “Originally an old bank stood on this site years ago. Then it caught fire and was replaced by the building above us. But no one wanted to remove the vault, so it just sat down here, empty and deserted. That is until the mob took over and started using it to hide their distillery operations. After I found it, Otto helped me update the facilities and install climate control features. That was back in the 60’s.”

“And the films have been down here ever since,” Brian smiles.

“Actually, I didn’t move them in until the early 1980’s” I correct him. “Prior to that, I had another use for the room at that time.”

“So why did you need a climate-controlled room back in the 60’s?” Lisa asks, studying the books I had removed from the case, along with noting the spots where each one had been taken from.

Mentally, I make a note to rearrange the swinging bookshelf mechanism again, as I answer. “Well, originally, I was keeping certain plants and soil samples in here to study while I was working on my master’s degree in Botany. After I’d completed my studies, I got word that all the old films I’d gathered over the years were not holding up as well where I’d been storing them. So, I removed most of the tables I had kept my samples on, added lots of shelving, changed some of the lighting and…” at this I’ve unlocked the metal door, which slowly swings open to reveal a room the size of a rather large bank vault. Kind of like the ones you see on TV, only this one is the real thing.

There are rows upon rows of shelves inside, along with filing cabinets, film repair equipment, and a few other odds and ends.

“Care to step inside and peruse the collection?” I smile invitingly.

Lisa and her dad are so excited they both shoot past me and for a brief moment nearly get stuck in the doorway.

I quietly smile, thinking back to how many times Roscoe, Buster, Al, or the Marx Brothers would pull that stunt with hilarious results. It may be an old gag, but each of them could put a new spin or twist on it like no one else.

At that same time, the first inkling of an idea starts to hit me. Although to be honest, it’s one that has occurred to me several times, but I’m still unsure about it. The idea of running a slew of silent pictures on opening night would certainly appeal to historical movie-buffs. But what about a younger audience? Would they be interested? Hell, most of them have probably never heard of Buster Keaton, or Al St. John, or my old buddy Roscoe. At best, they might be familiar with Charlie Chaplin, but that’s about it.

Just then I hear Lisa’s voice coming from the vault saying, “Dad, would come and take a look at these? I recognize the artist, but not the names of the films.”

Immediately, I start to wonder which films she’s run across so quickly.

Following her voice, I enter the maze of shelving inside the vault, and find father and daughter studying a particular row of cannisters which I instantly recognize. Out of all the rows of films in here, how in the world did Lisa stumble across that section?

Before I can explore that thought further, Brian says excitedly, “Lisa, do you realize what these are? These are some of the films I was talking about earlier. The ones that were believed to have been lost for almost a century! There are collectors out there who would go give their right eye teeth find just one of these!”

“Seriously?” his daughter smiles, “Cool! Oh, and look who stars in most of them...”

Before she can finish, I call out, “Roscoe Conkling Arbuckle! More well known to the general public as ‘Fatty’, a name which he really hated, by the way.”

TO BE CONTINUED...

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part II

 

“Come on,” Brian persists, “I’ve seen that ‘personal film vault’ of yours. You’ve got hundreds of movies in there, a number of which are still in their original cannisters as I recall. And I know you’ve already had most of them copied and transferred onto devices that can be used on modern projection equipment. So, what’s the holdup?”

Eyeing him coolly, I respond, “Firstly, I have over a thousand films that have been transferred and are ready for use. Secondly, there are still another 500 films, which you already pointed out are still in their original cannisters, which I’ve only recently been able to begin the process of getting them restored. Once that process has been finished, then they too will need to be transferred and copied.”

At this point Lisa jumps in with, “Got any of the missing Dr. Who stories?”

Rolling my eyes, I nod, “Yes, and I’ve already sent copies of what I had to the BBC. Unfortunately, most of the ones I gave them, they already had. However, several of my copies were in better shape, so it wasn’t a total waste. Plus, there were a few they didn’t have, for which they were very grateful.”

“I’m going to want to see those,” Brian tells me.

No surprise. He’s almost as big a Dr. Who fan as I am, and Lisa’s just as bad.

“But getting back to that thousand plus movies in your possession. Would any of them happen to be...” he begins.

“Yes,” I cut in, sighing heavily. “A number of them are films that were believed ‘lost’ to history. Which is the big reason for my dilemma.”

At this Lisa frowns. “What’s wrong with them?”

“Nothing’s wrong with them,” I answer snippily. “For your information, a number of them are considered ‘classics’, which is why so many historians have been spent years looking for any remaining copies of them.”

“And you’ve had them all this time?” she replies eyeing me suspiciously. “Holding out on everyone and just keeping all the goodies to yourself, huh?”

With a dramatic groan, I answer, “Most of them I got a hold of decades ago. And even back then, a fair amount of them weren’t in the best shape. With Otto’s help, I tried to preserve them as best we could. A number of these were shot from the 1910’s through the 1930’s, which was before anyone really thought about preserving films. In fact, it wasn’t until 1935 that the New York Museum of Modern Art made the first real effort to preserve old films. And by then a bunch of the silent ones had already been lost, because the material they used to film them weren’t chosen for their ability to last over a long period of time. Plus, that stuff was also highly flammable.” Here I pause and add quietly, “Believe me, I know. I was one of those rare fools who would run inside a building where they were stored which was on fire, trying to grab whatever I could, before we all wound up as extra crispy.”

“Seriously?” father and daughter cry in unison. I’d never mentioned this to either of them before. Why? Because I’m a very private person… most of the time.

After a moment, Brian regains his composure and asks, “You were rushing into burning buildings just to save a few old films?”

“I was specifically trying to save certain ones at the time,” I explain quietly. “But between having flames closing in and structures starting to collapse all around me, I just grabbed whatever I could and got the hell out of there. Only after I was safe did I get a chance to go through the ones I had grabbed and find out their titles.”

Coming over to me, Lisa places a hand on my arm and says gently, “Those films you were after must’ve been pretty special, to you.”

“Oh, they were,” I smile and nod.

“And the ones you did save are all in that vault of yours,” she continues.

“Carefully stored in a special climate-controlled room,” I nod.

“Good,” she smiles, “So, is this vault of yours nearby? Or do we have to take a plane to Los Angeles, or somewhere else?”

“Actually, they’re quite close,” Brian smiles, before I can reply. “In fact, it’s carefully hidden within the walls of one of your favorite hangouts.”

At that Lisa turns to me excitedly and squeals, “You’ve got them at the mansion, don’t you?”

This time it’s my turn to smile mischievously. “Ooo… you’re cold. Very cold.”

She rolls her eyes at that. You know, for someone so ‘mature’ she’s very easy to get going sometimes. Of course, the fact that both her parents and I used to tease her with the old ‘Hot and Cold’ game quite a lot while she was growing up, probably doesn’t help. Especially, when we pulled it on her seventh birthday. At my prompting we had stashed her presents all over the house and made her look for them.

Needless to say, the novelty of the challenge wore off rather quickly and ended with tears. Clearly, it had not been one of my brighter suggestions.

So, upon hearing this, one might’ve thought I would have learned from that experience. But no, I pulled it again on her just last year over at the mansion. Only to quickly learn that time had not improved her attitude about the game one bit. In fact, being older and basically an adult, she was able to express her displeasure with me in much more colorful terms than when she was only seven.

Deciding I’d best not play that game with her now, I’m about to tell her the location when she suddenly bursts out with, “You’ve got them hidden somewhere in the building, where The Crypt is located, don’t you?”

Immediately, Brian starts clapping. “Congratulations, you are correct. Someone, give that girl a coconut!”

Both Lisa and I turn and stare at him for a second.

“A coconut?” she repeats in disgust. “First of all, I hate coconuts. Secondly, if that’s all I’m going to get, it better be made of solid gold.”

“On my salary?” her father gasps, “I’m lucky to be able to afford a regular coconut.” Then he shifts his gaze to me. “Nathan, you’re the moneybags of the family, you give her one made of gold. Then I can steal it in the night, melt it down and take off with my wife to parts unknown.”

“Wait! What about your kids?” I ask.

“You’re their godfather, you take care of them,” he smiles, “They can be your problem.”

In response to that Lisa snuggles up to me, sending one thought racing through my mind, ‘One of them already is.’

Mind you, it’s not that I’m not fond of Lisa. Quite the opposite. I both love and adore her. And yes, I’m also attracted to her. Extremely attracted to be honest. But I’m also attracted to her best friend Marisa, and I don’t want to complicate things between them. Especially, since both of them, by my standards anyway, happen to be a bit on the ‘young’ side. Admittedly, they’re both in their early twenties, but I want them to explore their options and experience life. See who and what is out there for them, before trying to decide whether or not they really want to settle for someone who must avoid daylight and live a night owl existence.

‘Someone who will also more than likely outlive them,’ I add silently.

Although, if I’m being honest, I think I worry more about that last part more than either of them. And it’s because of that fear, I have considered doing the one thing I know would change that outcome. In fact, I’ve thought about it more often than I like to admit. But I’m not about to offer that option to either of them. At least not at this time…

“So, are we going to check out your vault or what?” Lisa asks, interrupting my train of guilt. From the annoyed tone of her voice, this is probably the 3^rd or 4^th time she’s asked the question, and I clearly wasn’t listening.

Giving her a sheepish smile as an apology, I nod and say, “Sure, why not?”

TO BE CONTINUED...