E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part III

 

Leading father and daughter back to the lobby, I turn off all the lights to the theater along the way. Once we’re outside and I’m certain the place is locked up, we start heading to The Crypt. It’s raining lightly, but we’re all okay with that. After all, the building where my club is secreted is only a couple of blocks away.

Lisa sidles up alongside me, occasionally pressing up against me as we go. I shoot a look of appeal to her father, who simply keeps his gaze fixed straight ahead, apparently oblivious to his daughter’s advances. Although, I’m certain I detect a slight pull at one corner of his mouth that falls just short of being an actual smirk.

This of course, leaves me to wrestle with my warring feelings on my own once more.

In that same moment, as if conspiring against me, the rain begins to come down a bit harder. Automatically, I open one side of my billowy trench coat and extend it around Lisa’s head and shoulders to protect her, since I don’t have an umbrella handy. This of course prompts the young lady to wrap her arms around my waist and rest her head against my chest, so I can pull the jacket closed around the two of us.

She’s clearly pleased with this turn of events.

And for the millionth time, I silently admit to myself, it does feel good. No, not just good, but right. However, the times I’ve held Marisa, have also felt just as right.

But before I can start wondering about how holding the two of them at the same time might feel, I find we’ve already turned down the alley that leads to my club. Carefully, we make our way down the stairs and inside the warmth and quiet of The Crypt.

It’s closed tonight so we’re the only ones here. I don’t operate it during the weekdays, since a lot of my clientele are teenagers who don’t need another excuse to avoid their schoolwork.

As Brian locks the door behind us, I carefully extricate myself from Lisa’s embrace and lead the way to the area where the backrooms await. Once we’re there, I show them the hidden stairwell that leads down to the sub-basement. This, like the club itself, is a leftover from the days of prohibition. Once upon a time, all kinds of booze and distilleries where hidden down here, out of the sight of the law (or at least, the ones who were not here to get a drink or two themselves). and once housed all the illegal booze.

Nowadays, most of the floor is an entertainment/game room, with a small kitchen, a bathroom, and another room roughly 10’ by 20’. Unlike the rest of this underground area, the floor in that room is comprised purely of dirt, not wood or concrete. This is a leftover from before I took up residence in the family mansion. Prior to reclaiming my birthright, I spent most of my daylight hours down here resting deep in the ground, whenever I came to town.

Next to the door that leads into this room, stands a huge bookcase. It stretches from the ceiling to the floor and extends a good ten feet in length along the wall. I proceed to remove several books and stand back. Immediately, a tall section of the bookcase swings open revealing an imposing metal door behind it.

“Well, well, well,” Brian exclaims, his eyes wide with surprise, “You’ve moved it again. I swear, every time I think you’ve shown me everything, you produce yet another little wonder.”

“Impressed?” I ask casually.

“Very,” he replies giving me a slight bow. Then he starts studying the metal barrier. “Let me guess, another leftover from Prohibition?”

“From before that,” I explain. “Originally an old bank stood on this site years ago. Then it caught fire and was replaced by the building above us. But no one wanted to remove the vault, so it just sat down here, empty and deserted. That is until the mob took over and started using it to hide their distillery operations. After I found it, Otto helped me update the facilities and install climate control features. That was back in the 60’s.”

“And the films have been down here ever since,” Brian smiles.

“Actually, I didn’t move them in until the early 1980’s” I correct him. “Prior to that, I had another use for the room at that time.”

“So why did you need a climate-controlled room back in the 60’s?” Lisa asks, studying the books I had removed from the case, along with noting the spots where each one had been taken from.

Mentally, I make a note to rearrange the swinging bookshelf mechanism again, as I answer. “Well, originally, I was keeping certain plants and soil samples in here to study while I was working on my master’s degree in Botany. After I’d completed my studies, I got word that all the old films I’d gathered over the years were not holding up as well where I’d been storing them. So, I removed most of the tables I had kept my samples on, added lots of shelving, changed some of the lighting and…” at this I’ve unlocked the metal door, which slowly swings open to reveal a room the size of a rather large bank vault. Kind of like the ones you see on TV, only this one is the real thing.

There are rows upon rows of shelves inside, along with filing cabinets, film repair equipment, and a few other odds and ends.

“Care to step inside and peruse the collection?” I smile invitingly.

Lisa and her dad are so excited they both shoot past me and for a brief moment nearly get stuck in the doorway.

I quietly smile, thinking back to how many times Roscoe, Buster, Al, or the Marx Brothers would pull that stunt with hilarious results. It may be an old gag, but each of them could put a new spin or twist on it like no one else.

At that same time, the first inkling of an idea starts to hit me. Although to be honest, it’s one that has occurred to me several times, but I’m still unsure about it. The idea of running a slew of silent pictures on opening night would certainly appeal to historical movie-buffs. But what about a younger audience? Would they be interested? Hell, most of them have probably never heard of Buster Keaton, or Al St. John, or my old buddy Roscoe. At best, they might be familiar with Charlie Chaplin, but that’s about it.

Just then I hear Lisa’s voice coming from the vault saying, “Dad, would come and take a look at these? I recognize the artist, but not the names of the films.”

Immediately, I start to wonder which films she’s run across so quickly.

Following her voice, I enter the maze of shelving inside the vault, and find father and daughter studying a particular row of cannisters which I instantly recognize. Out of all the rows of films in here, how in the world did Lisa stumble across that section?

Before I can explore that thought further, Brian says excitedly, “Lisa, do you realize what these are? These are some of the films I was talking about earlier. The ones that were believed to have been lost for almost a century! There are collectors out there who would go give their right eye teeth find just one of these!”

“Seriously?” his daughter smiles, “Cool! Oh, and look who stars in most of them...”

Before she can finish, I call out, “Roscoe Conkling Arbuckle! More well known to the general public as ‘Fatty’, a name which he really hated, by the way.”

TO BE CONTINUED...

E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” - Part II

 

“Come on,” Brian persists, “I’ve seen that ‘personal film vault’ of yours. You’ve got hundreds of movies in there, a number of which are still in their original cannisters as I recall. And I know you’ve already had most of them copied and transferred onto devices that can be used on modern projection equipment. So, what’s the holdup?”

Eyeing him coolly, I respond, “Firstly, I have over a thousand films that have been transferred and are ready for use. Secondly, there are still another 500 films, which you already pointed out are still in their original cannisters, which I’ve only recently been able to begin the process of getting them restored. Once that process has been finished, then they too will need to be transferred and copied.”

At this point Lisa jumps in with, “Got any of the missing Dr. Who stories?”

Rolling my eyes, I nod, “Yes, and I’ve already sent copies of what I had to the BBC. Unfortunately, most of the ones I gave them, they already had. However, several of my copies were in better shape, so it wasn’t a total waste. Plus, there were a few they didn’t have, for which they were very grateful.”

“I’m going to want to see those,” Brian tells me.

No surprise. He’s almost as big a Dr. Who fan as I am, and Lisa’s just as bad.

“But getting back to that thousand plus movies in your possession. Would any of them happen to be...” he begins.

“Yes,” I cut in, sighing heavily. “A number of them are films that were believed ‘lost’ to history. Which is the big reason for my dilemma.”

At this Lisa frowns. “What’s wrong with them?”

“Nothing’s wrong with them,” I answer snippily. “For your information, a number of them are considered ‘classics’, which is why so many historians have been spent years looking for any remaining copies of them.”

“And you’ve had them all this time?” she replies eyeing me suspiciously. “Holding out on everyone and just keeping all the goodies to yourself, huh?”

With a dramatic groan, I answer, “Most of them I got a hold of decades ago. And even back then, a fair amount of them weren’t in the best shape. With Otto’s help, I tried to preserve them as best we could. A number of these were shot from the 1910’s through the 1930’s, which was before anyone really thought about preserving films. In fact, it wasn’t until 1935 that the New York Museum of Modern Art made the first real effort to preserve old films. And by then a bunch of the silent ones had already been lost, because the material they used to film them weren’t chosen for their ability to last over a long period of time. Plus, that stuff was also highly flammable.” Here I pause and add quietly, “Believe me, I know. I was one of those rare fools who would run inside a building where they were stored which was on fire, trying to grab whatever I could, before we all wound up as extra crispy.”

“Seriously?” father and daughter cry in unison. I’d never mentioned this to either of them before. Why? Because I’m a very private person… most of the time.

After a moment, Brian regains his composure and asks, “You were rushing into burning buildings just to save a few old films?”

“I was specifically trying to save certain ones at the time,” I explain quietly. “But between having flames closing in and structures starting to collapse all around me, I just grabbed whatever I could and got the hell out of there. Only after I was safe did I get a chance to go through the ones I had grabbed and find out their titles.”

Coming over to me, Lisa places a hand on my arm and says gently, “Those films you were after must’ve been pretty special, to you.”

“Oh, they were,” I smile and nod.

“And the ones you did save are all in that vault of yours,” she continues.

“Carefully stored in a special climate-controlled room,” I nod.

“Good,” she smiles, “So, is this vault of yours nearby? Or do we have to take a plane to Los Angeles, or somewhere else?”

“Actually, they’re quite close,” Brian smiles, before I can reply. “In fact, it’s carefully hidden within the walls of one of your favorite hangouts.”

At that Lisa turns to me excitedly and squeals, “You’ve got them at the mansion, don’t you?”

This time it’s my turn to smile mischievously. “Ooo… you’re cold. Very cold.”

She rolls her eyes at that. You know, for someone so ‘mature’ she’s very easy to get going sometimes. Of course, the fact that both her parents and I used to tease her with the old ‘Hot and Cold’ game quite a lot while she was growing up, probably doesn’t help. Especially, when we pulled it on her seventh birthday. At my prompting we had stashed her presents all over the house and made her look for them.

Needless to say, the novelty of the challenge wore off rather quickly and ended with tears. Clearly, it had not been one of my brighter suggestions.

So, upon hearing this, one might’ve thought I would have learned from that experience. But no, I pulled it again on her just last year over at the mansion. Only to quickly learn that time had not improved her attitude about the game one bit. In fact, being older and basically an adult, she was able to express her displeasure with me in much more colorful terms than when she was only seven.

Deciding I’d best not play that game with her now, I’m about to tell her the location when she suddenly bursts out with, “You’ve got them hidden somewhere in the building, where The Crypt is located, don’t you?”

Immediately, Brian starts clapping. “Congratulations, you are correct. Someone, give that girl a coconut!”

Both Lisa and I turn and stare at him for a second.

“A coconut?” she repeats in disgust. “First of all, I hate coconuts. Secondly, if that’s all I’m going to get, it better be made of solid gold.”

“On my salary?” her father gasps, “I’m lucky to be able to afford a regular coconut.” Then he shifts his gaze to me. “Nathan, you’re the moneybags of the family, you give her one made of gold. Then I can steal it in the night, melt it down and take off with my wife to parts unknown.”

“Wait! What about your kids?” I ask.

“You’re their godfather, you take care of them,” he smiles, “They can be your problem.”

In response to that Lisa snuggles up to me, sending one thought racing through my mind, ‘One of them already is.’

Mind you, it’s not that I’m not fond of Lisa. Quite the opposite. I both love and adore her. And yes, I’m also attracted to her. Extremely attracted to be honest. But I’m also attracted to her best friend Marisa, and I don’t want to complicate things between them. Especially, since both of them, by my standards anyway, happen to be a bit on the ‘young’ side. Admittedly, they’re both in their early twenties, but I want them to explore their options and experience life. See who and what is out there for them, before trying to decide whether or not they really want to settle for someone who must avoid daylight and live a night owl existence.

‘Someone who will also more than likely outlive them,’ I add silently.

Although, if I’m being honest, I think I worry more about that last part more than either of them. And it’s because of that fear, I have considered doing the one thing I know would change that outcome. In fact, I’ve thought about it more often than I like to admit. But I’m not about to offer that option to either of them. At least not at this time…

“So, are we going to check out your vault or what?” Lisa asks, interrupting my train of guilt. From the annoyed tone of her voice, this is probably the 3^rd or 4^th time she’s asked the question, and I clearly wasn’t listening.

Giving her a sheepish smile as an apology, I nod and say, “Sure, why not?”

TO BE CONTINUED...

Nathaniel's Private E-Journal - August 2005 : "Beginning A New Chapter..."

 

Summer in West Virginia hasn't changed all that much in a hundred and fifty years and tonight is no exception.  It hit the upper 80's which in and of itself isn't so bad, but the humidity makes it feel much worse.  Brian and his family are out of town, so I spent part of the evening with Jack, the town's physician, and his family.  They know my secret and have kept it to themselves for the past one hundred and twenty years.  It was nice spending time with his mother and grandmother.  As much as time has passed I still see them both as little girls who I used to take up into the evening sky on a warm summer night.  

But only when the sky was clear.  Tonight there are clouds overhead so I can't even enjoy the stars.  I'd have spent the rest of the evening with Jack and his family, but they were hosting a party with others from out of town and I didn't want some of our conversations overheard, so I left early and headed to The Crypt.

One of the nice things about having a private club that's located in the basement level of an old building is that it doesn't get too hot down there and I'm not the only one who knows this fact.  Even before I turned down the alley and reached the stairs that led down into my club, I could hear the music playing, accompanied by laughter and cheering.  

 

Upon opening the door I find the room is full bodies gyrating to the latest hit tunes my new disc jockey is playing.  He goes by the name of Scar-Man due to on old wound that runs from his forehead and across his face.  Thank God I got to him in time, otherwise it could've been a lot worse.  I've offered to help him get it fixed but he always refuses.  "I need to remember where I've been... so I don't forget where I'm goin'," he always tells me, so I leave it at that.

He spots me from across the room and gives me a questioning look.  Some nights I like to make a grand entrance, other times I don't.  Tonight is one of the latter.  Instead I find myself in a reflective mood and give a little shake to my head.  He nods and keeps the party going.

I quietly make my way through the crowd in my own unique way.  I pass between bodies that only a fly could navigate without anyone noticing.  Soon I've reached a dark quiet corner of the room where I can observe without being noticed.  There is a table here and I settle in and let my eyes roam.  Oddly enough they fall upon one of the old vaudeville posters I have lining my wall.  My mind begins thinking about how things were back in the 1910's and the 1920's.  Without realizing it, my eyes swing back to the crowd on the dance floor and I see something wondrous.  My eyes are clearly seeing the young people moving back and forth, flirting, and kissing and having a wonderful time.  Yet in the same moment in my mind I'm seeing another image super-imposed over them.  I see uniforms from bygone eras.  One moment I see the Union blue, then the brown ones we wore back in World War I, in another instant I'm seeing the dresses become flapper style, while the young men are decked out in the old Zoot suits.

The styles continue to change, yet the emotions and feelings are still the same as I watch the figures both before me and in my memories.  Something stirs within me as I stare.  Soon I leave my little corner of the club and head upstairs.  Normally, I'd take the actual stairs themselves, but tonight I take my 'mist' form and head upwards until I reach the door that leads to my art studio and slip through the open transom above it.

Once inside my artistic sanctuary I solidify and stare around at my surroundings.  Canvasses, both finished and still under way, line the floor and walls.  

  

I soon find myself studying each one intently.  My mind begins to think back to when I created each one and the story that led to their creation.  But more than just the stories return, so do the emotions that inspired the imagery.  Before long I find myself exploring where those stories and feelings began which culminated in these artworks.  I've often heard people say, "I wonder what the story is behind this art piece..."   Well, I know each and every story behind my works.  Some of them are simple, others could fill page upon page of a number of books.  

"And I'm the only one who still knows most of them..." I murmur to myself as new thoughts enter my mind.  "Do I dare..." I whisper to the silence that surrounds me.

TO BE CONTINUED...

Nathaniel's Blog July 23rd, 2014 - Reflections On The Past And Ponderings Of The Future...

The Crypt is silent tonight.  It's a Tuesday and the place is closed as usual.  Usually I only open the place on Fridays, Saturdays and Sundays.  If I have it open during the regular weekdays, a lot of the kids would never get enough sleep for school the next day, and I don't want to deal with angry parents complaining that my place is an attractive nuisance.  Not that anyone would believe it.  My place is a drug and alcohol free zone.  It's actually one of the safest places teenagers can come to get away from the darker elements out there. 

Still, keeping the place open seven days a week would be quite demanding on me and my DJ Scar-Man.  He has a family these days and needs to be able to spend time with them.  And I need time to myself.  Even after a hundred and fifty years, I still enjoy some 'me' time.  I know, I know, most vampires you see in movies or read about are lonely and longing for company.  Well this is real life and I have plenty of extended family and friends who love to have me visit, or who like to drop in to see me, and I love it.  

However, I do need some time alone every so often and tonight is one of those evenings.  So with the doors locked up I've scaled the many steps that lead to the top of this old building where my art studio awaits.  I though I might be in the mood to pick up a brush and work on a canvas or two, but not at the moment.  Instead, I'm in a more contemplative mood.  

There's a huge picture window at one end of the studio that allows me to gaze out at the town.  It's very pretty at night.  The streetlights are lit up, as well as a number of houses.  The evening is still young so very few have gone to bed just yet. 

Who knows who I might meet this evening if I venture out into the streets.  That's half the fun of being a night walker.  It's always an adventure.  You see things and people, most folks overlook in their busy day.  For me, I find stories and inspirations for paintings, novels, or just things that make you think a bit.  No, I'm not  one of the gloom and doom vampyres of legend.  I'm going to be walking this earth for some time yet and I'm fully aware of it.  I am what I am these days.  Although I did not choose this existence, it was pushed onto me by a very unlikely source, but unlike others I treasure each moment I have.  

I've touched and had my life touched by so many wonderful people.  Not just the stars I met back in vaudeville, or the heroes I met out on the battlefields, but everyday people and I thank them for it.  The ones who've come and gone, as well as those who are still with me now.  Yes, I've said goodbye to a good many friends over the decades, but there are always new people entering one's life that you can share and experience so much with.

In my hundred and fifty... correction hundred and sixty-seven years on this planet (I always forget to count my life before the change) I've seen so much.  How many people can claim they saw the first silent films?  Or heard the first radio broadcasts?  I encountered and even got to work on some of the earliest computers when punch-cards were the high point of technology.

Plus I got to watch man reach the moon and take his first steps onto that barren alien landscape.  And there are so many years ahead of me, which both fill me with wonder and a slight dread.  For unlike vampyres of legend I do age, albeit at a much slower rate.  I was only seventeen when I was changed and these days I barely look thirty.  For every ten years that pass for others I age only one.  This means I have a long time ahead of me, but what about when I finally start to reach 'old' age?  Will I start to turn grey and less able-bodied?  With I spend centuries trapped in a body that is feeble and infirm?  That' is a frightening prospect, that I try not to think too much about.  

There's still so much about my condition I don't know anything about.  In spite of twenty years spent getting degrees in botany, anatomy and physiology, and several other sciences, there's still so much to learn.  Luckily, science continues to move forward and I can always go back and take more classes and learn more about the new discoveries that may help me fully understand what I've become.  And that's something I actually look forward to.  

I love taking classes and learning new things.  I've taken all kinds of classes over the decades including art, dance, languages, mathematics, writing, etc.  Learning can be so much fun.  I meet new people and get introduced to new ideas and skills.  Life is a wondrous thing and whether you have only one life-time or many what you do with your time can be very enriching.  It all depends on the individual.  

And right now, this individual feels like stepping out for a while.  I'll come back here later and start working on one of my unfinished canvasses.  There's one in particular I'm very eager to get back to.  

I've already put it on an easel so it can be waiting for me when I get back.  It's a portrait of a young girl with flowing black hair and the most amazing brown eyes.  I can never forget her eyes.  They saw into me like no other and loved me for who AND what I am...